It has taken ScrapArtsMusic founder and percussion virtuoso Gregory Kozak and designer Justine Murdy – the heart and soul of the group- all the way to a performance at the closing ceremonies of the 2010 Winter Olympic Games in Vancouver, British Columbia, an opportunity that helped launch an amazing career expansion.
“It certainly raised our profile!” Greg and Justine commented. “It raised our confidence level, too. We got a lot more internet inquiries. People from all walks (of life) still talk to us about it. It was an incredible experience to see from behind-the-scenes…from costumes, to rehearsals, to pre-recording music, to staging on such a MASSIVE level with performers all being coordinated for a global telecast.
“Another highlight to the whole experience was that Canada had won the gold medal in men's hockey just hours before the Closing Ceremonies began, so there was an especial magic in the air that all Vancouverites -- and international visitors too -- were feeling high from. The weather had been so perfect... people were happy and high-5-ing complete strangers. It was such an unbelievable honor to be a part of something SO big. And we were the last group officially recognized during the Closing Ceremonies, so we felt pretty special to be part of that climax... the closing seconds of the biggest party Canada has hosted -- possibly ever!! Whoa! Sends shivers just remembering how cool it was!!!!!”
The duo established ScrapArtsMusic in July 1998. Greg Kozak is joined in performance by percussion artists Spencer Cole, Christa Mercey, Greg Samek, Malcolm Shoolbraid and Simon Thomsen. Their intricately choreographed routines with over one hundred forty-five instruments made from recycled materials makes them one of the “greenest” groups of performers out there, and one of the most electrifying to watch.
Kozak took a welding course to acquire the needed skills to make their unusual instruments. The instruments create visual art on the stage with their unique shapes and arrays. The performance is very physical and precision-driven, a percussion and movement mania that is both a visual and a sonic treat! They made scrap into art and art into music – thus the name!
Their music is a groove-based fusion of world music rhythmic traditions and twenty-first century pop demonstrating that there are potential musical instruments in many things heretofore unimagined. Some of the instruments include: Annoy-O-Phone, B-52 Drum, Humunga Drum, Junk-On-A-Stick, Sigh-Cordian, Ziggurat Drum and Whirlies, just to name a few.
Now, as they have become world travelers people will bring them scrap and challenge them to create an instrument.
“I’ve had springs from pilates machines, an F4 fuel baffle, a mini-submarine ballast tank casing, a giant cast metal marine propeller and so many other cool forms brought to me from people who "get" my sensibility,” Kozak relates. “ I love taking unexpected materials and re-contextualizing them by making cool-sounding instruments from them. They aren't so much a challenge as they are an inspiration!”
Greg began as a street performer busking around Vancouver and was “discovered” and invited to perform at an NBA half-time show. That led to performing at a high-profile music awards show, and soon the performance began to evolve as Greg worked to develop a precise choreography for the group. They now perform at large-scale professional sporting events, award shows, at performing arts centers, with orchestras and dance companies….the possibilities are endless and challenging.
We asked, “What will young people and families learn or gain from attending a performance?
“Our scrap materials are actually a manifestation of our ideas... so, before you throw away an idea or a scrap or whatever, we hope kids and families might give a second thought to how they might be able to re-use these in an even greater way than simple landfill,” Justine and Greg responded.
“Humanity could benefit from this big re-think! Hopefully we inspire people with a ‘Can Do’ attitude. For example, music making is not limited to patented instruments that can be bought at a store - why not design your own? And not all acceptable ways of performing have been figured out. Push the envelope. You might discover something amazing! Similarly, what one must do to live a good productive life has not all been charted out. You "can" create your own way! Our athletic choreography is a manifestation of our belief in the positivity of being physical on a regular basis, the benefits of eating natural whole foods, and the reward of working together for a common goal.”
Greg and Justine emphasized that it's never too late or too early to start studying any instrument. In order to have full expression with an instrument though, you have to develop technique and that comes only with putting in practice time.
“It's true for our invented instruments ,too,” Greg affirms. “Practice makes perfect.”
If you are coming to the ScrapArtsMusic performance which begins at 3 p.m. on Sunday October 2nd in Loeb Playhouse, Stewart Center, on the Purdue campus, come an hour early. Youngsters will have the opportunity to make their own free shaker egg from 2:00-2:45 p.m. in the West Lobby Stewart Center. Pick a colorful plastic egg; choose a “filling” that makes a cool sound, tape it shut and decorate with stickers it to your liking. Keep it handy during the performance! Members of the Convos Voice Network will assist patrons with their creations!
What is the most important thing to remember about percussion instruments and listening to a percussion performance?
“Every culture around the world has percussion instruments,” Greg says. “Percussion is a universal language.”
For more information on ScrapArtsMusic visit the Purdue Convocations website www.convocations.org.
Click here for a downloadable study guide with instrument photos and ideas for instruments:
http://issuu.com/convocations/docs/sam_studyguide_keynotes
--Laura Clavio, assistant director of Purdue Convocations
